Friday, 29 July 2016

Raban. Robcie raban

Raban. Robcie raban. Slowa papieza Franciszka zostaly zle przetlumaczone.
Doszlo do nieporozumienia w tlumaczeniu.  W jezyku polskim wszystko jest zle tlumaczone. Polaka A z B tez nie moga sie zrozumiec. Co dopiero obcojezycznego papieza socjaliste zrozumiec o co Mu chodzilo?
Dwoch zdan nie zrozumiec. Moze Franciszek jeszcze plecie androny. Wszak byl w Boliwii a tam otrzymal woreczek z liscmi koki. Moze tak zuje i substancja miesza jezyki. Ba, w glowie tez mysli ma pokrecone. O jakims tam milosierdziu, uchodzcach, by kochac i homosekusualistow przepraszac. Ba jezdzic rowerem, trawajem, ekologiem byc???
Papiez Franciszek powiedzial do mediow, ze swiat jest wstanie *wojny w kawalkach*. 
Biskup Rzymu spotkal sie z polskim episkopatem. Za zamknietymi drzwiami. 
Zas widzimy calujacy rzad spoko koko kraju. Z twarzy rzadzacych widzimy dyskomfort na slowa papieza.. Ciekawe czy zrozumieli? Dla rozsadnych to niewyobrazalne, jak mogli spojrzec Franciszkowi w oczy. Z geba islamskiego komando Blaszczaka, za skrzeczaca starszydlem. Zbyszkiem Ziobro, ktory uchyla wyrok drukarza, ktory stracil zarobek, obrazony na Kampanie Przeciw Homofobii? Przeciez to niepojete, robic co innego a myslec co innego. Gdzie jakis posel wystawia fucka w parlamencie? Potem slini sie do pierscienia papieskiego?
Gdzie rzad co dzien wyznacza sobie nowego wroga. Na dzis przypominam sa to Ukraincy! Przedwczoraj przeczochrali uczestnikow Powstania Warszawskiego. Wczesniej poznaniakow z Czerwca 1956 roku!
IPN nie wie co to Jedwabe a pogrom kielecki nie miesci sie juz w glowach.
Moze to i lepiej, ze mlodziez, ktora zjechala na SDM ze swiata nie rozumie polskiego hejtu. Niech tylko zapamieta to co dobre.

Na koniec sw. Jan Maria Rokita od Kapelusza w samolocie, jest zniesmaczony papiezem.

- Przemówienie wawelskie Franciszka (...) to nie było ważne przemówienie, padały ogólniki, ale nic, co by szczególnie przemówiło do serca człowieka - mówił WP Jan Rokita. - To nie jest papież asceta. Sama jego postura, brzuszek i makarony, którymi się obżera, nie wskazują na ascetyczny styl życia - to człowiek żywiołowy - ocenia Rokita. Zaznaczył także, że on na miejscu Franciszka zamiast okazywać czułość żebrakom, prostytutkom i więźniom, okazałby ją kapłanom, którzy pełnią trudną służbę we współczesnej Europie.

Tyle o obzarstwie hierarchy.

Na podworku naszym i Waszym czyli trwa tourne Teresy May. Podzielila sie wrazeniami z broszek. Nie zabraklo zachwytow nad szpilkami. Zwlaszcza tymi wpychanymi w rozne otwory.

Brexit juz dosiegnal szkockich farmerow. Lapie za gardlo kulture. Ciekawe czy zlapie za lby Faradza?

May repeated that message in Warsaw, saying the voters had sent a “very clear message that they do not want free movement to continue as it has in the past”.
In response, Beata Szydło, the Polish prime minister, stressed that Poland sees the free movement of people as a key issue. “Any arrangement between the European Union and the United Kingdom in the future regarding freedom of movement is likely to be the most important part of the negotiations between both parties,” she said. “It will not be easy. But I think both for Britain and the EU it is very important that this issue – one of the four freedoms of the internal market – is saved.”May also repeated her position that Polish and Slovakian workers in the UK will have their right to remain preserved only if UK citizens enjoy those same rights in Poland and Slovakia.
The prime minister said: “We value the contribution that Poles have made to the UK. While we are a member there will be no changes. It is important that we see the rights of British people in other EU countries as also being respected. We also want to get the right deal for goods and services.”
The Polish prime minister appeared to have accepted May’s overarching position that citizens’ rights should be reciprocal after Brexit. However, the reference was vague and neither leader specified whether they were referring to movement, residency or benefit access.Szydło said: “It is for us to negotiate to ensure the rights of Polish citizens in the UK and those of UK citizens in the European Union be maintained.’’
At both events, May stressed that she is keen for the UK to have its own distinct relationship with the EU rather than an “off the shelf” model previously negotiated with other nations such as Norway or Switzerland.“We should be driven by what is in the best interests of the UK and what is going to work for the European Union, not by the models that already exist,” she told the news conference in Bratislava. “We need to find a solution that addresses the concerns of the British people about free movement while getting the best possible deal on trade in goods and services.”This indicates that she is hoping her new minister for Brexit, David Davis, will be able to strike a bespoke deal that manages a balance between controlling free movement and preserving free trade.
However, anything less than an end to free movement that sees EU citizens treated in the same way as citizens from the rest of the world is unlikely to satisfy the most hardline pro-Brexit MPs in the Conservative party and activists in Ukip.
The task of negotiating trade deals with the rest of the world has been given to Liam Fox, the new trade secretary, who has been in the US attempting to initiate talks. However, the US has said it is difficult to begin meaningful discussions until the UK is out of the EU.
Fox was also overruled by No 10 when he suggested the UK could leave the customs union, subsequently stressing that no decision had been taken.

After Brexit will the loss of EU funds pose a threat to UK arts?

The UK creative world is warning of the damage Brexit could have on the arts – at a time when they are more economically vital than ever


 

As Britain grapples with the behemoth that is Brexit, culture and the arts face a much bigger job than simply keeping their many fans happy: the most varied and productive sector of national life now needs to somehow keep driving the British economy.
Up until last month, thanks to the dominance of English-language films and television, as well as the wide interest in British visual arts, dance and music, an advantageous relationship with Europe had been assumed for decades.
Now some of the funding pipelines are to be cut off for good while rich, homegrown donors begin to feel the pinch of renewed austerity. As European grants dwindle, so the smaller seedbed organisations that have inspired and developed British talent will shrink. New limits to freedom of movement could well deter potential job exchanges, while tens of thousands of valuable visiting arts students may put Britain further down their list of attractive places to acquire learning.
Understandably then, an overriding fear of isolation has dominated reaction in the arts world since the referendum vote. But are these jittery cultural nerves misplaced?



“That success is built upon the extraordinary talent which exists in this country, an amazing cultural heritage, the English language and a tax system designed to support and encourage growth in the creative sector,” said the culture secretary, adding: “None of this is changed by the decision to leave the EU and I am confident that our creative industries will continue to thrive and take advantage of the new opportunities which are opening up to do business across the world.”This month Whittingdale was bullish as his department trumpeted the news that jobs in the creative industries have increased three times faster than the national average, generating almost £10m an hour for the economy.


Milton Keynes and Dundee, all likely candidates for Britain’s scheduled chance to hold the coveted European City of Culture title in 2023. Leeds is carrying on preparing its bid and still expects to be asked to apply any day now.

Across the Pennines at Liverpool’s renowned Everyman Theatre the artistic director, Gemma Bodinetz, spoke to the Observer from inside its Stirling prize-winning auditorium, built with the help of European funds.

“But the implications for the arts don’t end with money. There are a host of other issues that we must address over the coming months: international artistic exchange, export of cultural products, copyright, visas and access to training in European centres of excellence, to name just some.”
The European programme that West mentions was created in January 2014 as a joint fund to inject money into both media and culture. The overarching European commission, together with the European investment fund, also launched a €121m fund to support smaller enterprises in the creative world, expected to result in more than €600m of bank loans throughout member countries in a six-year period. Helpful wads of this cash have already washed up on British shores.